Another Drawing Intensive sees brilliant work produced!

Over the ANZAC Day weekend we ran a small Drawing Intensive Workshop. Small because we had a smaller number of enrolments – however the result was an intimate workshop where Hilmi was able to focus on each student’s process, skill level and individual learning desires.

Incredible work was produced by each student, and we are proud to show it off! As you can see below, we had a range of skill levels, which is why we keep our classes small, so every teacher can provided one-on-one training. You can see the progress of each student over the three-day weekend:

Ivana has been attending our classes since late last year and has been challenging herself with drawing classes. As you can see, it pays to put in the effort!

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This was Jonathan’s first class at MAC and his progress over the three days was impressive.

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This was also Erin’s first class at MAC, and she has since enrolled in our six-week Drawing Course with Hilmi. She produced some incredible work. We also received some heart-warming feedback from here too, “I enjoyed the workshop immensely. Hilmi created an environment where we were all able to work at our own pace and develop as individual artists. We moved quickly through the curriculum but Hilmi’s precise articulation made it doable.

In the past I have done intensive workshops and they have left me exhausted and somewhat despiteful. This weekend, time flew and I looked forward to the next exercise. 

It didn’t take me long to book my next class package, for all the reasons listed above. I must also mention that the cost of the classes makes it very accessible. I did a lot of research before booking the intensive workshop and found Melbourne Art Class to be the cheapest – by far. But it wasn’t cheap value.

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These workshops are a good way to supplement ongoing study, and we had Katelyn, who is a VCE Studio Art student. She wanted to enhance her drawing skills and gain a greater understanding of tone and structure and produced some brilliant work!

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If you would like to attend an upcoming Drawing Class here at MAC, check out our classes, or join a waiting list! We’ll be opening enrolments for our next round of classes soon. We also want to thank everyone for their hard work and for letting us share their works!

I learned to mix black – this may have changed my world

Ivana’s inspiring experience during our Summer School

Ivana was one of a few students who undertook the challenge of completing both our Painting and Drawing Masterclasses in-between Christmas and New Year (not to mention the challenge of the heat)!

She has had previous experience in painting, however it was the first time she had ever experienced life drawing. We gratefully received her feedback and detailed experience below, and hope you also find it helpful and an insight into the classes we hold here at MAC. Thank you Ivana for allowing us to share your wonderfully candid account! This is why we love what we do.

“My objective in these classes was twofold. To refine my eye and hand; to learn specific technique and refine accuracy in representation as these are areas where I am poor. Also to dive into the Flemish technique as I’m obsessed by light and form but am yet to represent them in a way I find satisfying. The class was a remarkable opportunity to do that.

I see an immense difference and again, must say I’m thrilled with the result. I think I’ve come a long way in a short time. At home, I paint something I am more often than not unhappy, sometimes to the point of wanting to go all ninja on it, beat it with nun chucks and chuck ninja stars… You’ll be pleased to know that these works remain safe from Japanese implements of combat. J

…I’m also practicing Flemish technique on some small canvasses at home (I’m intent on capturing that light, dammit!) and am happy to share those once done and if I’m happy with them.

Ivana Dash, Still Life Imprimatura
Ivana Dash, Still Life Glaze (work in progress)

 

 

 

 

 

 

 

 

My focus was on learning; the technical in these two specific areas (refine my eye and hand; to learn specific technique and refine accuracy in representation) and that goal was achieved. I am thrilled with the results.

I think it’s also important to point out that these are my first still life and portrait paintings. Ever.

Now, with my drawing skills they are significantly less progressed and in respect to the drawing class, I think I was probably on a par with the others. I spoke with Hilmi about this before signing up as it was a Masterclass, and he encouraged me to do so as refining skills in this area would only be of benefit to my painting… even if I was slow and didn’t totally rock the class.

He was right.

First time working with charcoal, first time life drawing – I Loved It!

I don’t think my drawings will be hanging anytime soon, however even I could see the progress as the days progressed. See what you think:

Day 1: Still Life Gestural  
Ivana Dash

 

 

 

 

 

 

 

Day 1: Still Life, Charcoal. Structural. Dark Base w/ shellac and Day 4 painted highlights
Ivana Dash

 

 

 

 

 

 

 

Day 2: Still Life, Charcoal. Structural. Light Base.
Ivana Dash

 

 

 

 

 

 

 

Day 3: Life Drawing #1. Pencil + Black Charcoal:
Ivana Dash

 

 

 

 

 

Day 4: Life Drawing #2. Pencil + Black & White Charcoal:
Ivana Dash

 

 

 

 

 

Once again, I was thrilled by the results and have become slightly obsessed with life drawing. I need to do more. Soon!

I also learned to mix black. I think this may have changed my world.

I really enjoyed Himi’s teaching style. He’s quiet and confident, firm and precise but also gentle. I think one of the most important things in a learning environment is to have the freedom, comfort and latitude to feel free to make mistakes; countered with a confidence in your lecturer that they can pull you up on these without making you feel like an arse and have the skill to pull your work back from the brink so you can move forward. That’s a tricky balance.

Hilmi did this with me many times and I am hugely grateful and inspired to continue.”

We are very appreciative of any feedback we receive and also encourage students to share their work with us so we can share it with everyone at MAC!

We have two painting courses beginning this Saturday, running for seven weeks – Painting from Still Life with Hilmi Baskurt and Painting from the Life Model with Marco Corsini. These classes are open to all skill levels and our teachers will focus on drawing fundamentals in the beginning for those of you who are new to painting. We also have students in the class who have been returning for many terms. If you are interested in joining these classes, you can find out more information and enrol here: http://melbourneartclass.com/painting-courses/

That finishing feeling

We tend to have so much happening in our lives. When we wake up we already have a list of what we need to do that day formulated in our head and on top of this, we also have constant interruptions from an electronic device in our pocket, which seem to easily distract the best of us.

Many of our students at MAC have commented on the wonderful feeling they get in our classes when they take time out of their busy lives to concentrate on sketching or painting, and then finish a piece.

Carla Murray, oil on canvas
Carla Murray, oil on canvas

 

Are you ever able to concentrating on one thing – that you enjoy – until completion?

Because of these to-do lists we create in our lives, this state of being a constant “work in progress” doesn’t often allow us to stop, take our time, complete something, then reflect and admire. Daily “stuff” inhibits the pursuit of activities that bring us joy – especially those that allow us to be creative.

Another reason why we may not finish what we start is because we get a feeling of satisfaction when we tell other people our intentions. Over a long period of time, there have been a number of studies undertaken that have shown that people are less likely to pursue their goals after they have told people about them*. This is because once we let someone know about our new idea that requires our action, we get a feeling that satisfies our self-identity, which unfortunately renders us less motivated to complete what we set out to do.

Why it feels good to finish artwork

When was the last time you admired some flowers in your garden and actually sat down to sketch them? Or walked down to the river to photograph the ripples on the water? Finishing something generally makes you feel good, and finishing a piece of art definitely has something special about it.

When we start something new we receive a dopamine rush, hence why we like to tell people about our goals. This rush is not unlike the same feel-good sensation we get from doing anything we find pleasurable. This positive sensation is linked to the increased activity of dopamine in the brain. We also receive a dopamine rush when we complete something.

Creating art is significant because it is something created and finished by the individual for the purpose (mostly) of the individual. However, it is not like writing a novel, or learning a language; these end-points seem almost unreachable. We can control the time it takes to complete a piece of art, and the completion is made all the more satisfying because we have brought an image to life from a white, flat surface which we can admire.

Although there is a sense of completion when we finish reading a novel, or watching a movie, it is different because we may feel like we have lost something; the story is over and the characters lives’ are frozen in time on the final page. Though when we see a piece of art we have completed, we may feel a sense of pride and achievement that lives on as long as the work does. Even finishing the tiniest sketch of a leaf – and being happy with it – can bring about this feeling. It is so simple, yet so special.

At MAC, we aim to inspire people who take the time out of their routine to be creative with us. Some simply pick up a piece of charcoal and make marks on paper, while others spend weeks and months touching up an oil painting they are deeply involved with, and proud of. No matter what your medium, we hope that you too feel that wonderful sensation of completion, whilst enjoying the journey of creating art. Now go and pick up that pencil!

*Peter Gollwitser, Symbolic Self-Completion

 

Summer Art Classes at MAC

Over the summer holidays many of us our leave our paintbrushes and pencils where we left them after our final art class. So we have introduced two new short courses to motivate you to continue your art practice throughout the break. These short courses are also great gifts to give at Christmas time because the gift of creativity and experience is invaluable. Be sure to request a gift certificate upon payment.

Drawing and Painting Intensive with Marco Corsini – Dec 29th, 30th and 31st

Join Marco this December for a three-day Intensive Drawing and Painting Course.

Marco Corsini, A kind of homecoming, 2014, Oil on linen, 120 cm. x 120 cm.
Marco Corsini, A kind of homecoming, 2014, Oil on linen, 120 cm. x 120 cm.

Marco will combine a series of presentations with personal tuition in drawing and painting, with an emphasis on working from observation and the development of sophisticated technique. Some of the aspects covered include composition, underpainting, representing form, space and texture, colour and its relationship to composition and form, and more.   Find out more information and enrol here

Introduction to Drawing with Hilmi Baskurt – Jan 15th to Jan 29th

This course presents a fantastic opportunity to learn the four elements of sketching with our new teacher, Hilmi Baskurt.

Hilmi Baskurt Untitled
Hilmi Baskurt Untitled

A former student of iconic British painter Frank Auerbach, Hilmi will introduce you to structural sketching, value sketching, Chiaroscuro and contour sketching. Hilmi earned a Master of Fine Art degree in painting from Royal Academy of Arts and his Masters’ thesis was on the subject of Composition. This drawing course will be extremely beneficial for beginners and artists who would like a refresher over the holidays. Find out more information and enrol here

Drawing course still life, working with tone.

Still Life arrangement in Drawing Class
Still Life arrangement in Drawing Class

This is a Still Life that we have used for working with tone in our drawing course. Yes, the fruit and vegetables you see are real and have been hand painted. Taking the colour out of the Still Life allows students to accurately see tones in the subject. When lit, it is beautiful to look at and fun to draw.

Our next 6 session Drawing short course will begin on Thursday August 7th and will be tutored by Jesse Dayan. See the previous post for more about Jesse and his recent exhibition. You can find out more about the course at:

http://melbourneartclass.com/drawing/

Allende and Pinochet, Jesse Dayan

Image

MAC Drawing tutor, Jesse Dayan will be exhibiting at C3 Contemporary Art Space with Adrian and Daniel Stojkovich. The exhibition entitled, ‘Where Were You? All Things’, features reproduced images from major historical/political junctures in Latin American history. The artists are attempting to recover something from history that is only perceptible from a distance. Perhaps a narrative or an indication of the primordial conflict beneath the political?

‘Where Were You? All Things’

June 25 – July 13

Opening night Wednesday June 25th 6 – 8 pm

C3 Contemporary Art Space

1 St Heliers Street, Abbotsford VIC 3067 Open 10am – 5pm Wednesday to Sunday

Tony Irving

Tony Irving, Dutch Perspective 2014 oil on linen 92 x 122 cm
Tony Irving, Dutch Perspective 2014 oil on linen 92 x 122 cm

Tony Irving will be speaking at Enderby Studio Art Program next Tuesday.  A Melbourne-based artist, Tony’s figurative work often originates from everyday life and contains playful narrative nuances. The work demonstrates a mastery of colour and composition, borrowing from the great painting techniques of the past to create relevant work for our time. You can find out more about Tony at http://tonyirvingartist.com.

 

New painting course

Marco Corsini, The unforeseen, 2013, oil on linen, 60 cm. x 70 cm.
Marco Corsini, The unforeseen, 2013, oil on linen, 60 cm. x 70 cm.

With a full Studio Art Program during recent terms, we have decided to start a new program which is similar in format but with a focus on painting. Our new painting program will be coordinated and tutored by Marco Corsini and will run on Saturday mornings.

For more information regarding the program, please follow this link.

http://melbourneartclass.com/painting/

 

Andrea Smith

Andrea Smith, Garlic on Green, 2007, Oil on Canvas, 25.4 × 25.4 cm, (Forum Gallery)

Our guest artist speaking at Enderby Studio Art Program this week is Andrea Smith. Trained in the academic tradition in Florence, Andrea Smith fuses classical technique, sensitive use of tone and a subtle play of light with a contemporary boldness. She has co-founded an art school in New York (The Harlem Studio) and later founded another in Rome (Atelier Canova). Smith has exhibited in Europe, the U.S.A and Australia.

Smith lives in Rome where she teaches at Atelier Canova. You can find out more about her at: http://www.andreajsmith.com/