by Elizabeth Fritz
Other Worlds, is a collection of landscape paintings that embody the subtleties of the natural world; the changing light and weather, the evolving colours and the textural intricacies of the environment. But it’s the depth within the landscapes, the movement, and the emotional response that standout.
The landscape that surrounds Tasmanian artist Philip Wolfhagen, has been penetrating his being for a long time. They are triggers for new works, sources of colour and light, and they are a connection to the past and the present. Landscapes, and elements within the landscapes fuel his imagination and solidify a starting point. From here, with the inclusion of classical music, beeswax, and a primary colour palette his evocative and perceptual paintings begin to develop.
The Serpentine Path 2015, a group of three paintings on linen with oil and beeswax, depicts impressions of the undulations in the land. Rocks, shrubs and paths and a never-ending horizon complete the picture. The subdued colours of browns, greys and greens are blended to create contrast, depth and texture all at once. For Wolfhagen, a landscape isn’t about precision and accuracy but rather a representation of the natural world, in which he harnesses the atmosphere, the mood and the light. His paintings are emotive and represent a snapshot of a fleeting moment in nature.
The large scale Other World No.1 2015 draws the viewer into the landscape. The shear size is like a window you could move through. Strong shades of browns and oranges in the foreground are gradually teamed with greys and blues that fade into the distance. The painting commands stillness as the eye moves into the distance. It is as though Wolfhagen’s landscapes urge the viewer to stop and take notice.
1 July-1 August 2015
Karen Woodbury Gallery
Level 1/167 Flinders Lane